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Gates William

  • 1 Gates William

    Names and surnames: GW

    Универсальный русско-английский словарь > Gates William

  • 2 Gates, William Henry, III (Bill)

    (р. 1955) Гейтс, Уильям Генри III (Билл)
    Программист, предприниматель. В 13 лет написал первую программу для ЭВМ. Учился в Гарвардском университете [ Harvard University], но бросил учебу. В 19-летнем возрасте вместе с школьным приятелем Полом Алленом [Allen, Paul] создал корпорацию "Майкрософт" [ Microsoft Corporation]. В 1980 вышел на рынок с операционной системой МС-ДОС [MS-DOS (Microsoft Disk Operating System)], заказанной для персональных компьютеров производства ИБМ [ International Business Machines Corp.]. Коммерческий успех этой операционной системы и последовавших за ней версий "Виндоуз" [Windows], а также пакета приложений "Майкрософт офис" [Microsoft Office] сделали "Майкрософт" крупнейшим в мире производителем программного обеспечения, а Гейтса - самым богатым человеком на планете (уже в 1986 он стал миллиардером по количеству капитала на акции). В 1997 Министерство юстиции США [ Department of Justice, U.S.] обвинило корпорацию в нарушении антимонопольных соглашений 1995, так как "Майкрософт" заставляла своих пользователей устанавливать Интернет-броузер вместе с операционной системой, получая преимущество над другими производителями броузеров. В 2000 суд постановил разделить корпорацию на две компании, но юристы "Майкрософта" подали апелляцию, и к ноябрю 2001 им удалось договориться с министерством. В качестве инвестора Гейтс финансирует деятельность целого ряда фирм в области высоких технологий. В 1994 основал Фонд Уильяма Гейтса [William H. Gates Foundation] (концентрируется на решении проблем здравоохранения в развивающихся странах), в 1997 - Образовательный фонд Гейтса [Gates Learning Foundation], ныне носит название Библиотечный фонд Гейтса [Gates Library Foundation]. В 1999 фонды объединены в общую структуру - Фонд Билла и Мелинды Гейтс [Bill and Melinda Gates Foundation] - крупнейшую в мире благотворительную организацию (около 22 млрд. Долларов). Гейтс, долгое время стремившийся не участвовать в светской жизни, позднее стал предметом множества нападок со стороны прессы и коллег по цеху. В 1998 Гейтс передал должность президента "Майкрософт" Стиву Баллмеру [Ballmer, Steve], в 2000 оставил и пост генерального управляющего [ chief executive officer], сохранив за собой позицию главного разработчика новых идей и технологий. Автор книг "Дорога в будущее" ["The Road Ahead"] (1995, 1996, в соавторстве) и "Бизнес со скоростью мысли" ["Business \@ the Speed of Thought"] (1999).

    English-Russian dictionary of regional studies > Gates, William Henry, III (Bill)

  • 3 Gates

    m.
    Gates, William Henry Gates.

    Spanish-English dictionary > Gates

  • 4 William Henry Gates III

    ◙ n. ויליאם הנרי גייטס השלישי, ביל גייטס (יליד 1955), יושב-ראש ואחד ממייסדי חברת מיקרוסופט, נחשב לאדם העשיר ביותר בעולם
    * * *
    ◙ םלועב רתויב רישעה םדאל בשחנ,טפוסורקימ תרבח ידסייממ דחאו שאר-בשוי,(5591 דילי) סטייג ליב,ישילשה סטייג ירנה םאיליו◄

    English-Hebrew dictionary > William Henry Gates III

  • 5 Bill Gates

    m.
    Bill Gates, William Henry Gates.

    Spanish-English dictionary > Bill Gates

  • 6 Castle, William

    1914-1977
       Procedente de Broadway, donde llevo a cabo los mas dispares oficios, William Castle desembarca en Hollywood a los 23 anos, y seis mas tarde dirige su primera pelicula. Especialista en peliculas baratas de terror, de sarrollo diversos artilugios para el espectador, entre los que cabe citar la electrificacion de asientos para aumentar la tension en el espectador, y el diseno de esqueletos inflables que flotaban sobre la audiencia durante la proyeccion. No fue, a la vista de lo dicho, un especialista del western, pero rodo un punado de ellos, siempre con presupuestos ajustados y resultados artisticos mejores de lo que cabria suponer. En su curriculo hay que citar dos peliculas celebres, La dama de Shanghai (The Lady from Shanghai, Orson Welles,1947) y La semilla del diablo (Rosemary’s Ba by, Roman Polanski, 1968), de las que fue productor.
        Klondike Kate. 1943. 64 minutos. Blanco y Negro. Columbia. Anne Savage, Tom Neal, Glenda Farrell.
        Cave of Outlaws. 1951. 75 minutos. Technicolor. Universal. MacDonald Carey, Alexis Smith.
        Fort Ti (Fort Ti). 1953. 73 minutos. Technicolor. 3-D. Columbia. George Montgomery, Joan Vohs.
        Conquest of Cochise. 1953. 70 minutos. Technicolor. Columbia. John Hodiak, Robert Stack, Joy Page.
        The Battle of Rogue River. 1954. 71 minutos. Technicolor. Columbia. George Montgomery, Richard Denning, Martha Hyer.
        Jesse James Vs. The Daltons. 1954. 65 minutos. Technicolor. 3-D. Columbia. Brett King, Barbara Lawrence.
        The Law Vs. Billy the Kid. 1954. 73 minutos. Technicolor. Columbia. Scott Brady, Betta St. John.
        Masterson of Kansas. 1955. 73 minutos. Technicolor. Columbia. George Montgomery, Nancy Gates.
        The Americano (El americano). 1955. 85 minutos. Technicolor. RKO. Glenn Ford, Frank Lovejoy, Ursula Thiess.
        The Gun That Won the West. 1955. 71 minutos. Technicolor. Columbia. Dennis Morgan, Paula Raymond.

    English-Spanish dictionary of western films > Castle, William

  • 7 Armstrong, Sir William George, Baron Armstrong of Cragside

    [br]
    b. 26 November 1810 Shieldfield, Newcastle upon Tyne, England
    d. 27 December 1900 Cragside, Northumbria, England
    [br]
    English inventor, engineer and entrepreneur in hydraulic engineering, shipbuilding and the production of artillery.
    [br]
    The only son of a corn merchant, Alderman William Armstrong, he was educated at private schools in Newcastle and at Bishop Auckland Grammar School. He then became an articled clerk in the office of Armorer Donkin, a solicitor and a friend of his father. During a fishing trip he saw a water-wheel driven by an open stream to work a marble-cutting machine. He felt that its efficiency would be improved by introducing the water to the wheel in a pipe. He developed an interest in hydraulics and in electricity, and became a popular lecturer on these subjects. From 1838 he became friendly with Henry Watson of the High Bridge Works, Newcastle, and for six years he visited the Works almost daily, studying turret clocks, telescopes, papermaking machinery, surveying instruments and other equipment being produced. There he had built his first hydraulic machine, which generated 5 hp when run off the Newcastle town water-mains. He then designed and made a working model of a hydraulic crane, but it created little interest. In 1845, after he had served this rather unconventional apprenticeship at High Bridge Works, he was appointed Secretary of the newly formed Whittle Dene Water Company. The same year he proposed to the town council of Newcastle the conversion of one of the quayside cranes to his hydraulic operation which, if successful, should also be applied to a further four cranes. This was done by the Newcastle Cranage Company at High Bridge Works. In 1847 he gave up law and formed W.G.Armstrong \& Co. to manufacture hydraulic machinery in a works at Elswick. Orders for cranes, hoists, dock gates and bridges were obtained from mines; docks and railways.
    Early in the Crimean War, the War Office asked him to design and make submarine mines to blow up ships that were sunk by the Russians to block the entrance to Sevastopol harbour. The mines were never used, but this set him thinking about military affairs and brought him many useful contacts at the War Office. Learning that two eighteen-pounder British guns had silenced a whole Russian battery but were too heavy to move over rough ground, he carried out a thorough investigation and proposed light field guns with rifled barrels to fire elongated lead projectiles rather than cast-iron balls. He delivered his first gun in 1855; it was built of a steel core and wound-iron wire jacket. The barrel was multi-grooved and the gun weighed a quarter of a ton and could fire a 3 lb (1.4 kg) projectile. This was considered too light and was sent back to the factory to be rebored to take a 5 lb (2.3 kg) shot. The gun was a complete success and Armstrong was then asked to design and produce an equally successful eighteen-pounder. In 1859 he was appointed Engineer of Rifled Ordnance and was knighted. However, there was considerable opposition from the notably conservative officers of the Army who resented the intrusion of this civilian engineer in their affairs. In 1862, contracts with the Elswick Ordnance Company were terminated, and the Government rejected breech-loading and went back to muzzle-loading. Armstrong resigned and concentrated on foreign sales, which were successful worldwide.
    The search for a suitable proving ground for a 12-ton gun led to an interest in shipbuilding at Elswick from 1868. This necessitated the replacement of an earlier stone bridge with the hydraulically operated Tyne Swing Bridge, which weighed some 1450 tons and allowed a clear passage for shipping. Hydraulic equipment on warships became more complex and increasing quantities of it were made at the Elswick works, which also flourished with the reintroduction of the breech-loader in 1878. In 1884 an open-hearth acid steelworks was added to the Elswick facilities. In 1897 the firm merged with Sir Joseph Whitworth \& Co. to become Sir W.G.Armstrong Whitworth \& Co. After Armstrong's death a further merger with Vickers Ltd formed Vickers Armstrong Ltd.
    In 1879 Armstrong took a great interest in Joseph Swan's invention of the incandescent electric light-bulb. He was one of those who formed the Swan Electric Light Company, opening a factory at South Benwell to make the bulbs. At Cragside, his mansion at Roth bury, he installed a water turbine and generator, making it one of the first houses in England to be lit by electricity.
    Armstrong was a noted philanthropist, building houses for his workforce, and endowing schools, hospitals and parks. His last act of charity was to purchase Bamburgh Castle, Northumbria, in 1894, intending to turn it into a hospital or a convalescent home, but he did not live long enough to complete the work.
    [br]
    Principal Honours and Distinctions
    Knighted 1859. FRS 1846. President, Institution of Mechanical Engineers; Institution of Civil Engineers; British Association for the Advancement of Science 1863. Baron Armstrong of Cragside 1887.
    Further Reading
    E.R.Jones, 1886, Heroes of Industry', London: Low.
    D.J.Scott, 1962, A History of Vickers, London: Weidenfeld \& Nicolson.
    IMcN

    Biographical history of technology > Armstrong, Sir William George, Baron Armstrong of Cragside

  • 8 Praed, William

    SUBJECT AREA: Canals
    [br]
    b. 24 June 1747 Trevethoe, Leland, St Ives, Cornwall, England
    d. 9 October 1833 Trevethoe, Leland, St Ives, Cornwall, England
    [br]
    English banker and Member of Parliament.
    [br]
    Born into a wealthy Cornish family, he was educated at Eton and Magdalen College, Oxford. He was elected Member of Parliament for St Ives in 1774, but it was alleged that his father, who was a banker, had acted as agent for both his son and Drummond, the other candidate for the same party, in the course of which he advanced money to voters "on their notes payable with interest to the bank of Truro (Praed's bank)" but with the understanding that repayment would not be demanded from those who had voted for Praed and Drummond. Praed's election was therefore declared void on 8 May 1775. He was re-elected in 1780, by which time St Ives was virtually a Praed family monopoly. He served in successive Parliaments until 1806 and then represented Banbury until 1808. Meanwhile, in 1779 he had become a partner in his father's Truro bank, c. 1801 founded the London bank of Praed \& Co. at 189 Fleet Street.
    While in Parliament, he was instrumental in obtaining and carrying into effect the Bill for the Grand Junction Canal from Braunston to London. He was elected Chairman of the company formed for constructing the canal and proved an excellent choice, serving the company faithfully for nearly thirty years until his resignation in 1821. Upon his marriage to Elizabeth Tyringham in 1778 he made his home at Tyringham Hall in Buckinghamshire and so was very much in the Grand Junction Canal Company's area. London's Praed Street, in which Paddington Station stands, is named in his honour and the canal basin is at the rear of this street. His monument in Tyringham Church bears a relief illustrating a pair of lock gates and a canal boat.
    [br]
    Further Reading
    Alan H.Faulkner, 1972, The Grand Junction Canal, Newton Abbot: David \& Charles. L.S.Presnell, 1956, Country Banking in the Industrial Revolution, Oxford: Clarendon Press, pp. 295–6.
    G.C.Boase and W.P.Courtney, 1874, Biblio-theca Cornubiensis, Vol. II, London: Longmans, p. 524.
    JHB

    Biographical history of technology > Praed, William

  • 9 Билл Гейтс

    Bill Gates (William Henry Gates, 3d)

    Дополнительный универсальный русско-английский словарь > Билл Гейтс

  • 10 Вильям Генри Гейтс III

    Bill Gates (William Henry Gates, 3d)

    Дополнительный универсальный русско-английский словарь > Вильям Генри Гейтс III

  • 11 Гейтс Билл

    Bill Gates (William Henry Gates, 3d)

    Дополнительный универсальный русско-английский словарь > Гейтс Билл

  • 12 GW

    1) Спорт: Game Winner, Games Workshop
    3) Техника: gram-weight, gravitational wave
    4) Сельское хозяйство: groundwater
    5) Шутливое выражение: Gore Won
    6) Религия: God Why, Gods Water, Gods Word
    7) Метеорология: Global Warming, Ground Water
    8) Железнодорожный термин: Great Western
    9) Юридический термин: Gone Wacko, Gone Wrong
    10) Бухгалтерия: goodwill (from consolidation)
    11) Ветеринария: Great White
    12) Грубое выражение: Gap Whore, Gettin Wasted, Glory Whore
    16) Физиология: Getting Well
    18) Связь: Gateway
    19) Картография: gas well, good water
    20) Пищевая промышленность: Green Weenie
    21) Фирменный знак: Gate Way, Genesis Webmaster, Glass Works
    23) Деловая лексика: Group Work
    24) Гидрогеология: (ground water) подземные воды
    26) Сетевые технологии: Global Wait, шлюз (см. gateway), ATC
    27) Сахалин Ю: waste gas, off gas
    28) Электричество: ГВт (сокр. от "гигаватт" (gigawatt), т.е. миллиард ватт или миллион киловатт)
    29) Фантастика Galaxy War
    30) Имена и фамилии: Garth Woodside, Gates William, George Woodcock
    31) Должность: Great Worker, Great Writer
    32) Чат: Gutless Wonder
    33) НАСА: Gold Wing, Gravity Waves
    34) СМС: Gee Whiz
    35) AMEX. Grey Wolf, Inc.

    Универсальный англо-русский словарь > GW

  • 13 gw

    1) Спорт: Game Winner, Games Workshop
    3) Техника: gram-weight, gravitational wave
    4) Сельское хозяйство: groundwater
    5) Шутливое выражение: Gore Won
    6) Религия: God Why, Gods Water, Gods Word
    7) Метеорология: Global Warming, Ground Water
    8) Железнодорожный термин: Great Western
    9) Юридический термин: Gone Wacko, Gone Wrong
    10) Бухгалтерия: goodwill (from consolidation)
    11) Ветеринария: Great White
    12) Грубое выражение: Gap Whore, Gettin Wasted, Glory Whore
    16) Физиология: Getting Well
    18) Связь: Gateway
    19) Картография: gas well, good water
    20) Пищевая промышленность: Green Weenie
    21) Фирменный знак: Gate Way, Genesis Webmaster, Glass Works
    23) Деловая лексика: Group Work
    24) Гидрогеология: (ground water) подземные воды
    26) Сетевые технологии: Global Wait, шлюз (см. gateway), ATC
    27) Сахалин Ю: waste gas, off gas
    28) Электричество: ГВт (сокр. от "гигаватт" (gigawatt), т.е. миллиард ватт или миллион киловатт)
    29) Фантастика Galaxy War
    30) Имена и фамилии: Garth Woodside, Gates William, George Woodcock
    31) Должность: Great Worker, Great Writer
    32) Чат: Gutless Wonder
    33) НАСА: Gold Wing, Gravity Waves
    34) СМС: Gee Whiz
    35) AMEX. Grey Wolf, Inc.

    Универсальный англо-русский словарь > gw

  • 14 Microsoft Corporation

    "Майкрософт"
    Корпорация, являющаяся крупнейшим в мире производителем программного обеспечения (операционные системы МС-ДОС [MS-DOS] и "Уиндоуз" [Windows], приложения "Уорд" [Word], "Эксел" [Excel], "Интернет эксплорер" [Internet Explorer] и др.). Владелец крупнейшего пакета акций и основатель - Билл Гейтс [ Gates, William Henry, III (Bill)] - один из самых богатых людей в стране. Основана в 1975. Входит в список "Форчун-500" [ Fortune 500]. Штаб-квартира в г. Редмонде, шт. Вашингтон. Один из рекламных лозунгов: "Облегчаем жизнь" ["Making it easier"]

    English-Russian dictionary of regional studies > Microsoft Corporation

  • 15 Taylor, Ray

    1888-1952
       Actor y empresario teatral antes de la Primera Gue rra Mundial, despues se convierte en ayudante de direccion para Fox, trabajando con John Ford. En los anos 20 pasa a Universal, donde empieza a dirigir primero cortometrajes y despues peliculas de serie B, sobre todo thrillers y seriales diversos. En el sonoro, al que se adapta aceptablemente, trabaja con intensidad. Es, sin duda, uno de los realizadores mas prolificos del genero; mas de 80 westerns avalan su trayectoria, ni mas ni menos destacada que la de otros muchos, aunque no le falta buen pulso narrativo las mas de las veces. Trabaja, inevitablemente, con actores populares, y tambien prolificos, de los anos 30 y, en menor medida, 40. Peliculas de una hora de duracion, aproximadamente, con argumentos poco elaborados, y algun serial, dirigido en solitario a comienzos del sonoro, y ya en colaboracion unos diez anos despues, constituyen la inmensa mayoria de una filmografia inabarcable.
        The One Way Trail (La senda de la venganza). 1931. 60 minutos. Blanco y Negro. Columbia. Tim McCoy, Doris Hill, Polly Ann Young, Carroll Nye.
        Battling with Buffalo Bill. 1931. 217 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Lucille Browne, Rex Bell, William Desmond.
        Heroes of the West. 1932. 210 minutos. 12 capitulos. Blanco y Negro. Universal. Noah Beery, Jr., Julie Bishop, William Desmond, Onslow Stevens.
        Clancy of the Mounted. 1933. 225 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Jacqueline Wells, William Desmond.
        Gordon of Ghost City. 1933. 220 minutos. 12 capitulos. Blanco y Negro. Universal. Buck Jones, Madge Bellamy, Walter Miller.
        The Fighting Trooper. 1934. 61 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Barbara Worth, LeRoy Mason.
        Outlawed Guns. 1935. 62 minutos. Blanco y Negro. Universal. Buck Jones, Ruth Channing, Roy D’Arcy, Joan Gale.
        The Roaring West. 1935. 255 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller, Frank McGlynn.
        The Throwback (El hijo del cuatrero). 1935. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.
        The Ivory-Handled Gun (Exterminio). 1935. 58 minutos. Blanco y Negro. Universal. Buck Jones, Charlotte Wynters, Walter Miller.
        Sunset of Power (El ocaso del poder). 1936. 66 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Dix, Charles B. Middleton.
        Silver Spurs (El desfiladero perdido). 1936. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.
        The Cowboy and the Kid (El vaquero y el huerfano). 1936. 58 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Revier, Billy Burrud.
        The Phantom Rider. 1936. 258 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Marla Shelton, Diana Gibson, Harry Woods.
        The Three Mesquiteers. 1936. 61 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Syd Saylor, Kay Hugues.
        The Vigilantes Are Coming (co-d.: Mack V. Wright). 1936. 229 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Livingston, Kay Hugues, Guinn Williams, Raymond Hatton.
        The Painted Stallion (co-d.: Alan James, William Witney). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.
        Drums of Destiny. 1937. 62 minutos. Blanco y Negro. Crescent. Tom Keene, Edna Lawrence, Robert Fiske.
        Raw Timber. 1937. 63 minutos. Blanco y Negro. Crescent. Tom Keene, Peggy Keys, Robert Fiske.
        The Mystery of the Hooded Horsemen (Jinetes enmascarados). 1937. 60 minutos. Blanco y Negro. Grand National. Tex Ritter, Irish Meredith, Horace Murphy.
        Sudden Bill Dorn. 1937. 60 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Evelyn Brent.
        Boss of Lonely Valley. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller.
        Tex Ritter with the Boy Scouts. 1938. 57 minutos. Blanco y Negro. Grand National. Tex Ritter, Marjorie Reynolds, Snub Pollard.
        Hawaiian Buckaroo (La ultima emboscada). 1938. 62 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evalyn Knapp, Benny Burt, Pat O’Brien.
        The Painted Stallion (co-d.: Alan James, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.
        Frontier Town. 1938. 59 minutos. Blanco y Negro. Grand National. Tex Ritter, Ann Evers, Snub Pollard.
        Rawhide. 1938. 58 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Lou Gehrig, Evalyn Knapp.
        Flaming Frontiers (co-d.: Alan James). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.
        Panamint’s Bad Man (Jugandose la vida). 1938. 60 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evelyn Daw, Noah Beery.
        Riders of Pasco Basin. 1940. 56 minutos. Blanco y Negro. Universal. John ny Mack Brown, Frances Robinson, Bob Baker, Fuzzy Knight.
        West of Carson City. 1940. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Peggy Moran, Bob Baker, Fuzzy Knight.
        Bad Man from Red Butte. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Anne Gwynne, Bob Baker, Fuzzy Knight.
        Winners of the West (co-d.: Ford Beebe). 1940. 247 minutos. 13 capitulos. Blanco y Negro. Universal. Dick Foran, Anne Nagel.
        Ragtime Cowboy Joe. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Lynn Merrick, Fuzzy Knight.
        Law and Order. 1940. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Fuzzy Knight.
        Pony Post. 1940. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Dorothy Short, Fuzzy Knight.
        Boss of Bullion City. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Maria Montez, Fuzzy Knight.
        Bury Me Not on the Lone Prairie. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.
        Law of the Range. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Elaine Morley, Fuzzy Knight.
        Riders of Death Valley (Los jinetes de la muerte) (co-d.: Ford Beebe). 1941. 283 minutos. 15 capitulos. Blanco y Negro. Universal. Dick Foran, Leo Carrillo, Jeannie Kelly.
        Rawhide Rangers. 1941. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.
        Man from Montana. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.
        Fighting Bill Fargo. 1941. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.
        Stagecoach Buckaroo. 1942. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Anne Nagel, Fuzzy Knight.
        Cheyenne Roundup. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.
        The Lone Star Trail. 1943. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.
        Boss of Boomtown. 1944. 58 minutos. Blanco y Negro. Universal. Rod Cameron, Tom Tyler, Vivian Austin, Fuzzy Knight.
        Raiders of Ghost City (co-d.: Lewis D. Collins). 1944. 225 minutos. 13 capitulos. Blanco y negro. Universal. Dennis Moore, Wanda McKay.
        The Royal Mounted Rides Again (co-d.: Lewis D. Collins). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.
        The Daltons Ride Again (Casta indomable). 1945. 70 minutos. Blanco y Negro. Universal. Alan Curtis, Kent Taylor, Martha O’Driscoll.
        The Scarlet Horseman (co-d.: Lewis D. Collins). 1946. 248 minutos. 13 capitulos. Blanco y negro. Universal. Peter Cookson, Janet Shaw.
        Wild Country. 1947. 55 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Peggy Wynne.
        Law of the Lash. 1947. 53 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Scott
        Range Beyond the Blue. 1947. 53 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Helen Mowery.
        The Michigan Kid (El chico de Michigan/Ninguno como el). 1947. 69 minutos. Cinecolor. Universal. Jon Hall, Rita Johnson, Victor McLaglen.
        West to Glory. 1947. 56 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Dolores Castle.
        Border Feud. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Gloria Marlen.
        Pioneer Justice. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.
        Ghost Town Renegades. 1947. 58 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.
        The Vigilantes Return. 1947. 67 minutos. Cinecolor. Universal. Jon Hall, Margaret Lindsay, Paula Drew.
        Stage to Mesa City. 1947. 56 min. B y N. PRC. Lash LaRue, Al St. John.
        Black Hills. 1947. 60 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.
        Return of the Lash. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Maynard.
        The Fighting Vigilantes. 1947. 61 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.
        Shadow Valley. 1947. 59 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.
        Cheyenne Takes Over. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Nancy Gates.
        Check Your Guns. 1948. 55 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Nancy Gates.
        Tornado Range. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.
        The Westward Trail. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Phyllis Planchard.
        The Hawk of Powder River. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.
        The Tioga Kid. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.
        Range Justice. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Felice Ingersall, Max Terhune.
        The Return of Wildfire (Tierra de heroes). 1948. 83 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Patricia Morison, Mary Beth Hugues.
        Dead Man’s Gold. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.
        Mark of the Lash. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Suzi Crandall.
        Gunning for Justice. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Evelyn Finley, Max Terhune, Raymond Hatton.
        Hidden Danger. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Christine Larsen, Max Terhune, Raymond Hatton.
        Frontier Revenge. 1948. 56 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.
        Outlaw Country. 1949. 66 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Nancy Saunders.
        Crashing Thru. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Christine Larsen, Andy Clyde.
        Shadows of the West. 1949. 59 minutos. Blanco y Negro. Monogram. Whip Wilson, Reno Browne, Andy Clyde.
        Law of the West. 1949. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Gerry Patterson, Max Terhune.
        Son of Billy the Kid. 1949. 65 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Marion Colby.
        Son of a Badman. 1949. 64 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Noel Neill.
        West of El Dorado. 1949. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Max Terhune.

    English-Spanish dictionary of western films > Taylor, Ray

  • 16 ouverture

    ouverture [uvεʀtyʀ]
    feminine noun
       a. opening ; [de porte fermée à clé, verrou] unlocking
       b. ( = proposition) overture
       c. ( = tolérance) ouverture d'esprit open-mindedness
       d. ( = rapprochement) leur manque d'ouverture sur le monde menace leur communauté their reluctance to open up to other cultures poses a threat to their community
       e. (Music) overture
    * * *
    uvɛʀtyʀ
    1) ( action d'ouvrir) opening
    2) ( fait de s'ouvrir) opening
    3) ( début) opening

    ouverture de la chasse — opening of the shooting GB ou hunting US season

    4) ( inauguration) opening

    cérémonie/jour d'ouverture — opening ceremony/day

    5) Administration, Commerce ( fonctionnement) opening
    6) ( occasion) opportunity
    7) ( mise en œuvre) opening
    8) Construction, Bâtiment opening
    9) ( tolérance) openness (à to)
    10) Politique ( transparence) openness
    11) Politique ( libéralisation) opening-up

    ouverture à l'Ouest/à gauche — opening-up to the West/to the left

    12) Économie ( de marché) opening (à to)
    13) Musique overture
    14) Jeux ( aux cartes) opening bid; ( aux échecs) opening
    * * *
    uvɛʀtyʀ
    1. nf
    1) [frontières, magasins] opening
    2) PHOTOGRAPHIE aperture
    3)
    5) MUSIQUE overture
    2. ouvertures nfpl
    (= propositions) overtures
    * * *
    1 ( action d'ouvrir) opening; soyez prudent à l'ouverture du paquet be careful when opening the parcel; l'ouverture de la porte/de mon compte n'a pas été facile opening the door/my account was not easy; ouverture du testament Jur reading of the will; ouverture d'une information judiciaire Jur opening of a judicial investigation; ouverture d'un droit Prot Soc granting of entitlement to benefits;
    2 ( fait de s'ouvrir) opening; l'ouverture des vannes est automatique the opening of the sluices is automatic, the sluices open automatically; boîte/couvercle à ouverture facile ring-pull can/top;
    3 ( début) opening; à l'ouverture at the opening; ouverture de la campagne officielle Pol opening of the election campaign; ouverture de la chasse Chasse opening of the shooting GB ou hunting US season; ouverture de la pêche Pêche opening of the fishing season;
    4 ( inauguration) opening; ouverture d'un nouvel hôtel opening of a new hotel; cérémonie/jour/séance d'ouverture opening ceremony/day/session; dès l'ouverture right from the opening;
    5 Admin, Comm ( fonctionnement) opening; heures d'ouverture opening hours; ouverture au public opening to the public; permettre l'ouverture des supermarchés le dimanche to permit Sunday trading for supermarkets; à l'ouverture at opening time;
    6 ( occasion) opportunity; à la première ouverture at the first opportunity;
    7 ( mise en œuvre) opening; ouverture de négociations opening of negotiations;
    8 Constr opening; ( accidentel) gap; ménager une ouverture to leave an opening; calfeutrer les ouvertures to fill in the gaps;
    9 ( tolérance) openness (à to); atmosphère/esprit d'ouverture atmosphere/spirit of openness; ouverture aux idées nouvelles/sur le monde openness to new ideas/to the world; (grande) ouverture d'esprit (great) open-mindedness;
    10 Pol ( transparence) openness; politique d'ouverture policy of openness;
    11 Pol ( libéralisation) opening-up; ( élargissement) opening-up (à to); ( proposition) overture (à, en direction de to; de, de la part de from); ouverture à l'Ouest/à gauche opening-up to the West/to the left; faire des ouvertures aux rebelles to make overtures to the rebels; politique d'ouverture policy of opening-up;
    12 Écon opening (à to); ouverture du marché national aux transporteurs étrangers opening of the national market to foreign carriers;
    13 Mus overture; ouverture de Guillaume Tell overture to William Tell;
    14 Jeux ( aux cartes) opening bid; ( aux échecs) opening.
    [uvɛrtyr] nom féminin
    1. [trou] opening
    une ouverture dans le mur an opening ou a hole in the wall
    2. [action d'ouvrir]
    ‘ouverture des portes à 20 h’ ‘doors open at eight’
    3. [mise à disposition]
    4. [d'une session, d'un festival] opening
    CHASSE & PÊCHE opening
    l'ouverture vers la gauche/droite POLITIQUE broadening the base of government to the left/right
    [en boxe] opening
    CARTES & JEUX opening
    9. AUTOMOBILE [des roues] toe-out
    ————————
    ouvertures nom féminin pluriel

    Dictionnaire Français-Anglais > ouverture

  • 17 York

    1) Город на юге штата Пенсильвания на р. Саскуэханна [ Susquehanna River]. 40,8 тыс. жителей (2000), с пригородами 417,8 тыс. жителей. Машиностроение (турбины, кондиционеры и холодильное оборудование, стройматериалы, производство мотоциклов "Харли-Дэвидсон" [ Harley-Davidson], дорожно-строительной техники, сельскохозяйственное машиностроение и др.). Пенсильванский колледж в Йорке [ York College of Pennsylvania]. Город основан в 1741 потомками У. Пенна [ Penn, William, Jr.]. В 1777-78 был столицей колоний во время оккупации Филадельфии, здесь проводился Континентальный конгресс [ Continental Congresses] и были приняты "Статьи Конфедерации" [ Articles of Confederation]. Во время Войны за независимость [ Revolutionary War] в городе находились важные арсеналы. Расположен в районе традиционных поселений пенсильванских немцев [ Pennsylvania Dutch; Pennsylvania Dutch Country]. Среди достопримечательностей: здания в исторической части города, в том числе два квакерских дома - Колониальный молитвенный дом квакеров [Colonial Friends Meeting House] (1765) и Уоррингтонский молитвенный дом квакеров [Warrington Friends Meeting House] (1769), дом генерала Гейтса [(General) Gates House] (здесь обсуждались детали заговора Конвея [ Conway Cabal]), таверна "Золотой плуг" [Golden Plough Tavern] (1741), здание окружного суда [York County Courthouse], в котором были приняты "Статьи Конфедерации"
    2) Город на юге штата Мэн. 12,8 тыс. жителей (2000). Один из старейших населенных пунктов США. Основан в 1624 как плантационная усадьба, с 1632 назывался Бристол [Bristol], с 1641 - Агаментикус [Agamenticus], с 1642 - Горджеана [Gorgeana]. Получив хартию в 1642, стал старейшим зарегистрированным городом США. Современное название носит с 1652. В 1692 город был местом кровопролитных сражений войн с французами и индейцами [ French and Indian wars]. В городке сохранилось значительное число старинных зданий, в том числе Старая тюрьма [ Old Gaol] (1653), одна из старейших построек коммерческого назначения - склад, принадлежавший Дж. Хэнкоку [ Hancock, John]

    English-Russian dictionary of regional studies > York

  • 18 Revolutionary War

    Война за независимость США. Началась с перестрелки у Лексингтона и Конкорда [Lexington and Concord, Battle of] в 1775 и продолжалась вплоть до сражения у Йорктауна [Yorktown, Battle of] в 1781. Главнокомандующим американскими войсками был ген. Джордж Вашингтон, вместе с ним были Этан Аллен [*Allen, Ethan], Бенедикт Арнольд [*Arnold, Benedict], вставший затем на путь предательства, Горацио Гейтс [Gates, Horatio], Джон Пол Джонс [*Jones, John Paul] и др. Английскими войсками командовали Чарлз Корнуоллис [*Cornwallis, Charles], Томас Гейдж [*Gage, Thomas], Уильям Хау [Howe, William] и др. Американцам большую помощь оказывала Франция как флотом, так и войсками, за независимость североамериканских колоний сражался французский политический деятель и профессиональный военный маркиз де Лафайет [*Lafayette]. Война закончилась подписанием Парижского договора в 1783

    США. Лингвострановедческий англо-русский словарь > Revolutionary War

  • 19 hard lines

    (hard lines (on smb.))
    неудача; горькая доля, несчастная судьба [первонач. мор.]

    Dreamer: "Home they brought her warrior dead - hard lines on the bride." (S. O'Casey, ‘Within the Gates’, sc. I) — Мечтатель. Печальный удел выпал на долю жены. Домой принесли тело воина, ее мужа.

    She really felt it was very hard lines that she must stay at home when all these people were going to have such a fine time... (W. S. Maugham, ‘Liza of Lambeth’, ch. IV) — Лиза жаловалась на судьбу: ей предстоит сидеть дома, а эти люди будут так славно веселиться там...

    On his way to the station William remembered... that lie was taking nothing down to the kiddies. Poor little chaps! It was hard lines on them. (K. Mansfield, ‘The Garden Party’, ‘Marriage à La Mode’) — По пути на станцию Уильям вспомнил... что он ничего не везет детям. Бедные! Они так огорчатся.

    Large English-Russian phrasebook > hard lines

  • 20 Collins, Lewis D.

    1899-1954
       Entre 1927 y 1954, ano de su prematura muerte debida a un ataque cardiaco, realiza un total aproximado de 120 peliculas, de las que unas veinte son cortometrajes. Se dedica, especialmente, al western, sobre todo para Universal y Monogram. Es un director modesto, sin estilo visible que, como tantos otros, trabaja para las sucesivas estrellas de la epoca.
        Guns for Hire. 1932. 58 minutos. Blanco y Negro. Willis Kent. Lane Chandler, Sally Darling.
        Via Pony Express. 1933. 60 minutos. Blanco y Negro. Majestic. Jack Hoxie, Marceline Day.
        Gun Law. 1933. 59 min. Blanco y Negro. Majestic. Jack Hoxie, Paula Fix.
        Trouble Busters. 1933. 55 minutos. Blanco y Negro. Majestic. Jack Hoxie, Lane Chandler, Kaye Edwards.
        The Man from Hell. 1934. 58 minutos. Blanco y Negro. Willis Kent. Reb Russell, Fred Kohler, Ann Darcy.
        Brand of Hate. 1934. 63 minutos. Blanco y Negro. Supreme. Bob Steele, William Farnum, Lucille Browne.
        The Desert Trail. 1935. 54 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Mary Kornman.
        Little Joe, the Wrangler. 1942. 64 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.
        Tenting Tonight on the Old Camp Ground. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.
        Raiders of San Joaquin. 1943. 60 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.
        Oklahoma Raiders. 1944. 57 minutos. Blanco y Negro. Universal. Tex Ritter, Fuzzy Knight, Jennifer Holt.
        Trigger Trail. 1944. 59 minutos. Blanco y Negro. Universal. Rod Cameron, Eddie Dew, Fuzzy Knight, Vivian Austin.
        Raiders of Ghost City (co-d.: Ray Taylor). 1944. 225 minutos. 13 capitulos. Blanco y Negro. Universal. Dennis Moore, Wanda McKay, Lionel Atwill.
        The Old Texas Trail. 1944. 60 minutos. Blanco y Negro. Universal. Rod Cameron, Fuzzy Knight, Marjorie Clements.
        The Royal Mounted Rides Again (co-d.: Ray Taylor). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.
        The Scarlet Horseman (co-d.: Ray Taylor). 1946. 248 minutos. 13 capitulos. Blanco y Negro. Universal. Peter Cookson, Janet Shaw.
        Ride, Ryder, Ride! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Emmett Lynn.
        Roll, Thunder, Roll! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, I. Stanford Jolley, Don Kay Reynolds, Nancy Gates.
        The Fighting Redhead. 1949. 55 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Don Kay Reynolds.
        Cowboy and the Prizefighter. 1949. 59 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Emmett Lynn, Don Kay Reynolds, Karen Randle.
        Law of the Panhandle. 1950. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Jane Adams, Milburn Morante.
        Cherokee Uprising. 1950. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Lois Hall.
        Colorado Ambush. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Myron Healey.
        Abilene Trail. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Noel Neill.
        Man from Sonora. 1951. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, House Peters, Jr.
        Canyon Raiders. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.
        Nevada Badmen. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.
        Stagecoach Driver. 1951. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Gloria Winters.
        Oklahoma Justice. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Jimmy Ellison.
        Lawless Cowboys. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Pamela Duncan.
        The Longhorn. 1951. 70 minutos. Blanco y Negro. Monogram. Bill Elliot, Phyllis Coates, Myron Healey.
        Texas Lawmen. 1951. 54 minutos. Blanco y Negro. Frontier Pictures - /Monogram. Johnny Mack Brown, Jimmy Ellison, Lee Roberts.
        Stage to Blue River. 1951. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.
        Texas City (Misterio en Texas). 1952. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Jimmy Ellison.
        Waco. 1952. 68 minutos. Blanco y Negro. Monogram. Bill Elliott, Pamela Blake, I. Stanford Jolley.
        The Gunman. 1952. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.
        Wild Stallion. 1952. 70 minutos. Cinecolor. Monogram. Ben Johnson, Edgar Buchanan, Martha Hyer.
        Kansas Territory. 1952. 65 minutos. Blanco y Negro. Monogram. Bill Elliott, Peggy Stewart, Fuzzy Knight.
        Dead Man’s Trail. 1952. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Barbara Allen, Jimmy Ellison.
        Montana Incident. 1952. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Peggy Stewart, Noel Neill.
        Fargo (Los atracadores de Fargo). 1952. 69 minutos. Blanco y Negro. Monogram. Bill Elliott, Phyllis Coates, Fuzzy Knight.
        Canyon Ambush. 1952. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Lee Roberts.
        The Homesteaders. 1953. 62 minutos. Blanco y Negro. Allied. Bill Elliott, Emmett Lynn, Robert Lowery.
        The Marksman. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elena Verdugo, Frank Ferguson.
        Vigilante Terror. 1953. 70 minutos. Blanco y Negro. Allied. Bill Elliott, Fuzzy Knight, Mary Ellen Kay.
        Texas Bad Man. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elaine Riley, Frank Ferguson.
        Two Guns and a Badge (Dos pistolas y una insignia). 1954. 60 minutos. Blanco y Negro. Allied. Wayne Morris, Beverly Garland, Morris Ankrum.

    English-Spanish dictionary of western films > Collins, Lewis D.

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